Non c'è da meravigliarsi che il serpente di mare frequenti le nostre coste

1893-1900

Non c'è da meravigliarsi che il serpente di mare frequenti le nostre coste by Charles Dana Gibson, 1893-1900, Illustration, realism

Related Artworks

Summer sports Charles Dana Gibson 1900-1905
The real exhibit at the horse show Charles Dana Gibson 1896
Previous tenants Charles Dana Gibson 1893-1900
A Barrier Charles Dana Gibson 1897
He; ‘Shall we talk or dance’ Charles Dana Gibson 1900-1905
Seaside expressions Charles Dana Gibson 1900-1905
She; ‘i know that you must have made love before to some other girl.’ Charles Dana Gibson 1900-1905
A box party Charles Dana Gibson 1900-1905
Americans Charles Dana Gibson 1893-1900
In Paris – A Cafe Artist Charles Dana Gibson 1896
In the Rue de la Paris Charles Dana Gibson 1893-1900
Two’s company, three’s a crowd Charles Dana Gibson 1900-1905
Fellow passengers Charles Dana Gibson 1900-1905
When a man’s in love Charles Dana Gibson 1900-1905
A Drawing Room Charles Dana Gibson 1897
A Park Orator Charles Dana Gibson 1897
America’s tribute Charles Dana Gibson 1896
Is Your Wife Losing Charles Dana Gibson 1919
One of the disadvantages of being in love with an athletic girl Charles Dana Gibson 1900-1905
Reading the will Charles Dana Gibson 1893-1900
Soldiers of Fortune written by Richard Harding Davis. Charles Scribner’s Son’s Charles Dana Gibson 1897
The fortune teller Charles Dana Gibson 1896
She decides to die in spite of Dr. Bottles Charles Dana Gibson 1900-1905
Yes or no Charles Dana Gibson 1900-1905
Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
Cours de dessin Pl.63 Charles Bargue 1867
All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
Bijutsukai Pl.29 Furuya Kōrin 1901
Unique Specimens of Mineralogy Edward Francis Burney
Marthe Brandès, actrice Georges Goursat (Sem) 1901
El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
De aanzegger Albert Hahn 1904 - 1953
The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
Dernière Nouveauté Félix Vallotton 1893
Lake Placid, New York Edward B. Gay 1872
Ruffe, Perca cernua Edward Donovan 1803
Grace Before Meals Jozef Israëls circa 1890
The Grand Salon, The Prado Francisco Aznar Y García
Der Liebesbrief Franz von Defregger 1884
What to draw and how to draw it Pl.63 Edwin George Lutz 1913
Boerderij tussen hoge bomen, Ewijkshoeve Jan Veth 1886
On the Bighorn Frederic Remington circa 1892
A Storm Is Approaching Louis Adolphe Tessier 1886
Gazette du Bon Ton – La leçon de natation Costume et chale, pour le bain Fernand Siméon 1921
On the Beach at Long Branch Winslow Homer 1870
On the Beach, Sunset Eugène Boudin 1865
1876 [Women’s fashion in nineteenth-century Paris] Henri Boutet 1902
Under the Awning, Zarauz Joaquín Sorolla 1910
Low Tide, Beachmont Maurice Prendergast circa 1900-1905
Strolling along the Seashore Joaquín Sorolla 1909
Rats and Gourd Kawanabe Kyōsai ca. 1887
Bijutsukai Pl.52 Furuya Kōrin 1901
The Pied-billed Dobchick (Colymbus podiceps) Mark Catesby 1731-1743
Gourd and mice Kanō Tsunenobu 18th century
Mimi, le chien favorite de madame de Pompadour Jean-Jacques Bachelier 1762
En pissende hest Pieter van Laer