Momenti tragici – Il Rev. legge la sua ultima commedia alla nipote
1916
Momenti tragici – Il Rev. legge la sua ultima commedia alla nipote by Charles Dana Gibson, 1916, Illustration, realism
Related Artworks
- Summer sports Charles Dana Gibson 1900-1905
- The real exhibit at the horse show Charles Dana Gibson 1896
- Previous tenants Charles Dana Gibson 1893-1900
- A Barrier Charles Dana Gibson 1897
- He; ‘Shall we talk or dance’ Charles Dana Gibson 1900-1905
- Seaside expressions Charles Dana Gibson 1900-1905
- She; ‘i know that you must have made love before to some other girl.’ Charles Dana Gibson 1900-1905
- A box party Charles Dana Gibson 1900-1905
- Americans Charles Dana Gibson 1893-1900
- In Paris – A Cafe Artist Charles Dana Gibson 1896
- In the Rue de la Paris Charles Dana Gibson 1893-1900
- Two’s company, three’s a crowd Charles Dana Gibson 1900-1905
- Fellow passengers Charles Dana Gibson 1900-1905
- When a man’s in love Charles Dana Gibson 1900-1905
- A Drawing Room Charles Dana Gibson 1897
- A Park Orator Charles Dana Gibson 1897
- America’s tribute Charles Dana Gibson 1896
- Is Your Wife Losing Charles Dana Gibson 1919
- One of the disadvantages of being in love with an athletic girl Charles Dana Gibson 1900-1905
- Reading the will Charles Dana Gibson 1893-1900
- Soldiers of Fortune written by Richard Harding Davis. Charles Scribner’s Son’s Charles Dana Gibson 1897
- The fortune teller Charles Dana Gibson 1896
- She decides to die in spite of Dr. Bottles Charles Dana Gibson 1900-1905
- Yes or no Charles Dana Gibson 1900-1905
- Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
- Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
- Cours de dessin Pl.63 Charles Bargue 1867
- All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
- Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
- John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
- Bijutsukai Pl.29 Furuya Kōrin 1901
- Unique Specimens of Mineralogy Edward Francis Burney
- Marthe Brandès, actrice Georges Goursat (Sem) 1901
- El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
- De aanzegger Albert Hahn 1904 - 1953
- The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
- The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
- The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
- N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
- Dernière Nouveauté Félix Vallotton 1893
- Lake Placid, New York Edward B. Gay 1872
- Ruffe, Perca cernua Edward Donovan 1803
- Grace Before Meals Jozef Israëls circa 1890
- The Grand Salon, The Prado Francisco Aznar Y García
- Der Liebesbrief Franz von Defregger 1884
- What to draw and how to draw it Pl.63 Edwin George Lutz 1913
- Boerderij tussen hoge bomen, Ewijkshoeve Jan Veth 1886
- On the Bighorn Frederic Remington circa 1892
- Mrs. Abington as Miss Prue in ‘Love for Love’ by William Congreve Sir Joshua Reynolds 1771
- A Guardroom Scene With Tric-Trac Players In The Foreground David Teniers The Younger 1647
- Album of Ichiryusai Hiroshige’s Sketches Pl.11 Utagawa Hiroshige ca. 1850
- Spielerei Hans Zatzka
- A Dog George Armfield
- Laizzez done, vieux vesuve Edmé Jean Pigal 1852
- Cannie! Charles Samuel Keene 1870-91
- Il est très gentil votre petit tableau mais pourquoi n’avez vous pas fait l’escalier – farceur c’est le concierge q Fernand Louis Gottlob 1902
- Durchs Schlüsselloch geschaut Hans Zatzka
- Houp houp papa. ah mais tu ne fais pas si bien le cheval que Janisset, dam. Ah comme il faisait bien le chev Paul Gavarni 1838-184
- Zigeunerin mit Tambourin Alois Hans Schram
- Finishing Touches Francesco Beda
- Woman Playing the Virginal Jan Miense Molenaer c. 1637
- Upset His Coffee Winslow Homer 1864