Rabbit
1866
Hanging upside down like a furry chandelier, this dead hare is the star of Manet's moody still life. The artist uses loose, energetic brushstrokes to capture the texture of the fur, making it look soft despite the grim subject matter. Painted in 1866, it reflects Manet's fascination with 'nature morte' (dead nature) and everyday objects, elevating a simple hunting trophy into a dramatic study of light and shadow. It’s a bit macabre, sure, but the way the light hits that white belly is absolutely masterful.
- Technique
- Oil on canvas
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