奧林匹亞

1863

當馬奈展示這幅大膽斜倚的裸體畫作，以一位毫不羞愧地直視觀者的現代交際花取代傳統神話中的女神時，他震驚了巴黎藝術界。這種直接的凝視在當時被視為厚顏無恥且粗魯，引發了1865年沙龍展上的強烈憤慨。請注意床腳處拱背的黑貓——這是性愛的象徵，取代了如提香的《烏爾比諾的維納斯》等古典裸體畫中常見的忠犬。這幅素描捕捉了那幅著名油畫原始而草圖般的活力，剝離了色彩，專注於蒼白人物與深色厚重窗簾之間的鮮明對比。

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