Untitled 25
Long before he gave us that iconic screaming face, Edvard Munch was busy scribbling down the world around him in frantic, energetic bursts. This page looks like a chaotic landscape—perhaps a shoreline or forest edge—where brown, tree-like shapes dance above blue horizon lines and patches of green. It feels less like a finished masterpiece and more like a visual diary entry, capturing the raw feeling of a place rather than its exact look. These loose, gestural marks show Munch breaking away from strict realism, hinting at the emotional intensity that would define his later Expressionist works.
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