抽象化された妻壁
1918
Egon Schiele usually tortured us with twisted, angsty figures, but in 1918, he swapped human drama for pure geometry in Abstrahierte Giebel. Here, two stark white rooftops pierce a moody blue sky, sitting atop a sunny yellow field scribbled with energetic zigzags. Created just before his tragic death from the Spanish flu, this rare dive into abstraction shows a master simplifying the world into bold, childlike shapes. It’s a surprisingly peaceful, almost playful glimpse into the final days of an artist famous for his raw intensity.
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