《浮士德》研究页

ca 1825-1826

德拉克洛瓦在1825年阅读了译本后，对歌德的《浮士德》产生了绝对的痴迷，这张混乱的草图页捕捉到了他狂热的创作能量。大胆的棕色墨水渲染勾勒出主要人物——可能是疯狂做手势的梅菲斯特和坚忍的浮士德——而边缘处淡淡的铅笔涂鸦则探索着舞动的人物和漂浮的头像。这就像是从背后窥视一位正在为电影绘制分镜的导演，揭示了他著名的石版画系列背后原始而浪漫的精神。

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