《浮士德》研究頁

ca 1825-1826

德拉克洛瓦在1825年閱讀譯本後，對歌德的《浮士德》產生了絕對的痴迷，這張混亂的草圖頁捕捉到了他狂熱的創作能量。大膽的棕色墨水渲染勾勒出主要人物——可能是瘋狂做手勢的梅菲斯特和堅忍的浮士德——而邊緣處淡淡的鉛筆塗鴉則探索著舞動的人物和漂浮的頭像。這就像是從背後窺視一位正在為電影繪製分鏡的導演，揭示了他著名的石版畫系列背後原始而浪漫的精神。

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