Our Women 2
Ferdinand Bac’s cheeky illustration, headed 'Les Bonnes Maisons' (The Good Houses), offers a satirical glimpse into Belle Époque secrets. A standing woman, her dress partially undone to reveal her back, instructs a kneeling attendant that her 'husband' is arriving, prompting a vow of absolute discretion 'like a grave.' The title is likely an ironic euphemism for a brothel, transforming a simple dressing scene into a witty commentary on the blurred lines between marriage and the 'discreet' world of high-class courtesans.
- Technique
- Hand-colored lithograph
- Material
- Paper