昼(真実)
Ferdinand Hodler
1896-98
昼(真実) by フェルディナント・ホーダー, 1896-98, symbolism
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Lake Champfèr
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The Battle Of Näfels
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Bildnis Letizia Raviola
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Montana Landscape With Becs De Bosson And Vallon De Réchy
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1915
Portrait Of August Hodler (The Student)
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1875
Student Putting on His Coat
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1908
Study for Day
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Single Figure Study For ‘gaze Into Infinity’
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Disappointed Soul
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Guest House
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Sitting Man With Guitar
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Reading Priest
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Walk Along The Border Of A Wood
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The Speaker
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The Disillusioned One
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The Dream of the Shepherd
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Kunsthaus Zürich, Ferdinand Hodler, 14. Juni bis 5. August 1917
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Portrait Of Maria Rosa Krebs-Schüpbach
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1876
Die Dents Blanches
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1916
The Dents Blanches At Champéry In The Morning Sun
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1916
Portrait of Hélène Weiglé
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The Dents Du Midi Seen From Chesières
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Portrait Of A Young Lady
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The Scream
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The Yellow Christ
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Parau Api. What News
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Parau Parau (Whispered Words)
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Arearea (Joyfulness)
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The White Horse
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Danae
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Beethovenfries; Die feindlichen Gewalten (Tafel 1, Stirnwand)
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The Vampire
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Portrait of Eugenia Primavesi
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Anxiety
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Sonja Knips
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Portrait einer Frau
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Mahna no Varua Ino (The Demon Speaks)
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The Storm, Right Part
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Arii Matamoe (The Royal End)
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Etable près de Dieppe II
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Head of a Tahitian Woman
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Portrait of Ida Hammershøi with Needlework
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Portrait of Helene Klimt
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Ida In An Interior
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Elysian Fields
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Mann og kvinne
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Schreitende nach rechts, die rechte Hand an der Schulter
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Selene
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Roger and Angelica
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The Hesitation of Orestes
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Echo
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‘The Rhine’s fair children, bewailing their lost gold, weep’
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Te aa no areois (The Seed of the Areoi )
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Day (Truth)
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N° 20 – Ils avaient entassé Pinde, Ossa, Pélion
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