Die Dreschdiele

Related Artworks

• Self-Portrait Francisco de Goya
• A man with a raised whip breaking up a fight between two figures Francisco de Goya ca. 1812-20
• Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
• Young Woman Wringing Her Hands over a Man’s Naked Body (verso) Francisco de Goya 1796-97
• Monks in an interior Francisco de Goya ca. 1812-20
• Two brothers killing their sister’s lover in her presence Francisco de Goya 1796-1798
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• A woman giving a mug to an old man Francisco de Goya ca. 1812-20
• Friar Pedro Shoots El Maragato as His Horse Runs Off Francisco de Goya c. 1806
• A man stabbing another Francisco de Goya ca. 1812-20
• Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
• Quien lo creyera! (Who would have thought it!) Francisco de Goya 1796-1797
• After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón]) Francisco de Goya ca. 1813-1820
• The Water Carrier Francisco de Goya
• Unos á otros. (What one does to another.) Francisco de Goya 1796-1797
• Where There’s a Will There’s a Way (A way of Flying) Francisco de Goya circa 1815 - 1824
• To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) Francisco de Goya ca. 1813-1820
• Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun Francisco de Goya c. 1806
• Estan calientes. (They are hot.) Francisco de Goya 1796-1797
• El Tres de Mayo Francisco de Goya 1814
• ‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
• The Marquesa de Pontejos Francisco de Goya c. 1786
• Asta su Abuelo. (And so was his grandfather.) Francisco de Goya 1796-1797
• Beggar with a staff in his left hand Francisco de Goya ca. 1812-20
• The Dance Class Edgar Degas 1874
• No te aha oe riri (Why Are You Angry) Paul Gauguin 1896
• Julie Le Brun Looking in a Mirror Elisabeth Louise Vigée Le Brun 1787
• Le Chapeau de Paille Peter Paul Rubens 1622-25
• Self-Portrait, Grimacing Egon Schiele 1910
• Te arii vahine Paul Gauguin 1896-1897
• Bildnis Emilie Flöge Gustav Klimt 1902
• Titus, the Artist’s Son Rembrandt van Rijn circa 1660
• Madonna Edvard Munch
• The Cardsharps Caravaggio ca 1595
• Lunch at the Restaurant Fournaise (The Rowers’ Lunch) Pierre-Auguste Renoir 1875
• The Daughters of Edward Darley Boit John Singer Sargent 1882
• El Jaleo John Singer Sargent 1882
• Le café de nuit (The Night Café) Vincent van Gogh 1888
• The Sick Girl Edvard Munch 1896
• Andrew Jackson Thomas Sully 1845
• The Course of Empire–The Savage State Thomas Cole ca. 1834
• Salisbury Cathedral from the Bishop’s Grounds John Constable ca. 1825
• Illustrations of the book of Job Pl.02 William Blake 1826
• Cotopaxi (1855) 2 Frederic Edwin Church
• Approach to Venice Joseph Mallord William Turner 1844
• The Valley of Vision Samuel Palmer
• Looking Down Yosemite Valley, California Albert Bierstadt 1865
• Vesuvius in Eruption Joseph Mallord William Turner between 1817 and 1820
• Man with a Spade Jean-François Millet ca. 1855-58
• Shepherdess Seated on a Rock Jean-François Millet 1856
• Man with a Hoe Jean-François Millet
• The Young Dealer George Morland 1805
• Peasant Girl Returning From The Well Jean-François Millet c. 1860
• Glaneuse debout tenant un ballot de paille sur la tête Jean-François Millet
• The Threshing Floor Francisco de Goya 1786-1787
• The Ploughman Hans Holbein The Younger c. 1526
• Die Insekten, Tausendfüssler und Spinnen Pl 07 Alfred Edmund Brehm 1877
• Jongens bij een werkbank Julie de Graag 1878
• Bob’s Dilemma (or ‘The Mowers’) Winslow Homer ca. 1881
• Hounds. Henry Thomas Alken 1817-1818
• Donnybrook Fair Francis Wheatley 1788
• Five studies of Peddlers George Morland 1791-1795