俄耳甫斯与欧律狄刻

1864

弗雷德里克·莱顿在此捕捉了俄耳甫斯神话中令人心碎的高潮。你看到这位传奇音乐家，头上仍戴着月桂花环，里拉琴被弃置在一旁，因疲惫或悲痛而瘫倒。他的妻子欧律狄刻身着飘逸的白衣，绝望地紧拥着他，仰起脸与他进行最后那悲剧性的一吻。黑暗崎岖的背景暗示着他们被困于冥界。这是学院派艺术的经典范例——技法极其精湛、充满戏剧性且情感沉重。莱顿实际上是第一位成为男爵的英国艺术家，这正显示出这种高度戏剧化的叙事在维多利亚时代备受推崇。

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