奧菲斯與尤麗狄絲

1864

弗雷德里克·萊頓在此捕捉了俄耳甫斯神話中令人心碎的高潮。你看到這位傳奇音樂家，頭上仍戴著月桂花環，里拉琴被棄置在一旁，因疲憊或悲痛而癱倒。他的妻子歐律狄刻身著飄逸的白衣，絕望地緊擁著他，仰起臉與他進行最後那悲劇性的一吻。黑暗崎嶇的背景暗示著他們被困於冥界。這是學院派藝術的經典範例——技法極其精湛、充滿戲劇性且情感沉重。萊頓實際上是第一位成為男爵的英國藝術家，這正顯示出這種高度戲劇化的敘事在維多利亞時代備受推崇。

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