Mary Magdalene
Frederick Sandys, a close associate of the Pre-Raphaelite Brotherhood, captured the sorrowful profile of Mary Magdalene with delicate, reddish strokes. Her curly hair is pinned up with a simple band, and her downcast eyes suggest deep contemplation or repentance. This drawing likely served as a study for his more famous, fully realized painting of the same subject, showcasing his incredible attention to classical beauty and emotional depth. The Pre-Raphaelites loved depicting biblical women with intense realism and emotion, and this sketch perfectly captures that vibe.
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