여우 사냥; 포레스의 사냥 피해 — 최대 십육 스톤

Related Artworks

• ‘Topping a Park fence and doing the thing easy’ Henry Thomas Alken 1827
• Hunting Scene： Drawing the Cover Henry Thomas Alken ca. 1840
• Foxhunting; Full Cry Henry Thomas Alken
• Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork Henry Thomas Alken
• Foxhunting; The Leap Henry Thomas Alken
• Rider on a Brown Horse Going at a Wall Henry Thomas Alken
• The Death; The Fox Hoist to a Fence Henry Thomas Alken
• A Charging Mameluke Firing a Pistol Henry Thomas Alken ca. 1823
• ‘Mr. Jorrocks Takes a Ride at St. Cloud’ Henry Thomas Alken
• ‘Scraps’, no. 35： Mounted Mameluke with Bamboo Spear Henry Thomas Alken
• Sporting Notions： ‘My Notion is We Shall Get Him up Pretty Shortly What is Your Notion： I’ve Worked so Hard that I Hav’nt a Notion in Me’ Henry Thomas Alken between 1831 and 1832
• A Groom Leading a Bay Horse Henry Thomas Alken
• ‘Some Do and Some Don’t; It is All a Notion;’ Getting a Dive Henry Thomas Alken between 1848 and 1851
• Horse and Dog Henry Thomas Alken
• ‘Qualified Horses and Unqualified Riders;’ ‘Faceing a Brook Verifying the Old Adage, Look Before You Leap’ Henry Thomas Alken
• ‘Landscape Scenery’, No. 7： Scenes of Cricket and a Waggoner With His Team Henry Thomas Alken 1821
• Facing a Brook Henry Thomas Alken
• Drawing Covert Henry Thomas Alken
• Wounded Turkish Cavalryman in Danger of Failling From His Horse… Henry Thomas Alken
• Going Along a Slapping Pace Henry Thomas Alken
• Scenes from a Seeplechase： The Winner Henry Thomas Alken ca. 1845
• ‘Scraps’, No. 28： Skittle Alley With Players and Spectators Henry Thomas Alken 1823
• Symptoms： of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome Henry Thomas Alken between 1818 and 1822
• Throwing off dull melancholy… Henry Thomas Alken 1822
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Cours de dessin Pl.63 Charles Bargue 1867
• All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
• Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
• John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
• Bijutsukai Pl.29 Furuya Kōrin 1901
• Unique Specimens of Mineralogy Edward Francis Burney
• Marthe Brandès, actrice Georges Goursat (Sem) 1901
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• De aanzegger Albert Hahn 1904 - 1953
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
• N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
• Dernière Nouveauté Félix Vallotton 1893
• Illustrations of the book of Job Pl.20 William Blake 1826
• Los desastres de la guerra Francisco de Goya 1892
• The Zuiderhavendijk, Enkhuizen Cornelis Springer 1868
• On the way to Pompeii, with Vesuvius beyond Franz Richard Unterberger
• Ansicht von Unterseen Franz Niklaus König
• Passing Shower in the Tropics Frederic Edwin Church 1872
• La famille laborieuse Franz Niklaus König 1799
• The Villa Pasino Gustaf Wilhelm Palm 1854
• Eagle, a Celebrated Stallion James Ward 1809
• Coursing – After the Kill James Seymour
• The Stranger Frederic Remington 1908
• Glencoe in a Landscape Edward Troye 1859
• Racing John Frederick Herring Jr.
• Grazing horses Rosa Bonheur 19th century
• George Walker’s 5-Year-Old Brown Stallion Consol with Sam Darling or George Edwards in the Saddle John Frederick Herring Snr. 1833
• Race Horses Edgar Degas ca. 1885-88
• Bauernhäuser am Wasser (Fehmarn) Ernst Ludwig Kirchner 1908
• Piazza de Montanara, Rome Etienne Bosch 1873-1931
• Dancer on Stage and in Motion Edgar Degas c.1880-85
• The scouting party Georges Washington
• Cows in a Pasture Arnold Peter Weisz-Kubínčan 1940
• Zwei sitzende Frauen, eine davon als Akt Ernst Ludwig Kirchner ca. 1915