マンダーンのブラヴーラ・エア
James Gillray
1801
マンダーンのブラヴーラ・エア by ジェイムズ・ギルレイ, 1801, Illustration
Related Artworks
Pacific overtures, – or – a flight from St Cloud’s – ‘over the water to Charley’ – a new dramatic peace now rehearsing
James Gillray
1796
Very slippy weather
James Gillray
1808
Farmer Giles & his wife shewing off their daughter Betty to their neighbors on her return from school
James Gillray
1812
Phaeton Alarm’d
James Gillray
1808
Voltaire instructing the infant Jacobinism
James Gillray
1798
Operatical reform; – or – la dance a l’eveque
James Gillray
1796
Preliminaries of peace! – or – John Bull and his little friends marching to Paris!.
James Gillray
1801
Elements of skateing. The consequence of going before the wind
James Gillray
1805
Elements of skateing. Attitude! Attitude is everything!.
James Gillray
1805
The theatrical bubble – being a new specimen of the astonishing powers of the great Politico-Punchinello in the art of dramatic puffing
James Gillray
1805
The cole-heavers
James Gillray
1783
Fighting for the Dunghill – or – Jack Tar settling Buonaparte
James Gillray
1798
Theatrical-Mendicants, relieved. Have pity on all our aches & wantes!.
James Gillray
1809
Cymon and Iphigenia
James Gillray
1796
Spanish Patriots Attacking the French Banditti – Loyal Britons Lending a Lift
James Gillray
1808
Company shocked at a lady getting up to ring the bell
James Gillray
1805
A Bravura air mandane
James Gillray
1801
Counsellor O. P., defender of our theatric liberties
James Gillray
1809
Elements of skateing. Making the most of a passing friend in a case of emergency!.
James Gillray
1805
A view in perspective. The zenith of French Glory; the pinnacle of liberty
James Gillray
Elements of skateing. A fundamental error in the art of skaiting
James Gillray
1805
A sale of English beauties in the East Indies
James Gillray
1786
Breton Bathers (Baigneuses Bretonnes)
Paul Gauguin
1889
Marcelle Lender and Eva Lavalliére in a Revue at the Variétés
Henri de Toulouse-Lautrec
1895
La belle indolente
George Barbier
1923
Kawasaki
Katsushika Hokusai
1804
Le Cri de Paris – Dimanche 18 Juillet 1897
Félix Vallotton
1897-1903
The key-note of the campaign
Thomas Nast
1872
Mädchen mit zwei Kindern
Ernst Ludwig Kirchner
1919
Puss in boots.
Arthur Rackham
1911
Tavola 44
Francesco Cardinali
1828
The Burgundian Standard Bearer
Albrecht Dürer
c. 1500
Hunding discovers the likeness between Siegmund and Sieglinde
Arthur Rackham
1910
Marie Antoinette
Edmond Morin
1861
The works of Geoffrey Chaucer Pl.45
Sir Edward Coley Burne-Jones
1896
Renaissance 7
Auguste Racinet
1880 - 1889
Les principaux ornaments des tissus jusqu’au XIXme siècle Pl.14
Friedrich Fischbach
1902
Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 1
Katsushika Hokusai
1814
The Education of Mr. Pipp
Charles Dana Gibson
1893-1900
L’harmonie des couleurs Pl.123
Édouard Guichard
1880
A Peaceable Kingdom with Quakers Bearing Banners (1829-30)
Edward Hicks
between 1829 and 1830
Flat Iron Stand
Donald Harding
c. 1942
Man’s Great Coat
Frederick Jackson
c. 1937
Husaria w walce
Ivan Ivanec
1930
Ectocarpus pusillus
Anna Atkins
1843-1853
Wall-pepper or stonecrop
Elizabeth Blackwell
1739
Fellachenhaus mit einem ausgestopften Krokodil über der Tür
Wilhelm Gentz
1850
Gevangenpoort in Den Haag
Willem Adrianus Grondhout
1907
À Colorier Pl.11
Gaston Marechaux
1936
Rosario Guerrero als Carmen
Friedrich August von Kaulbach
circa 1908
Pierrot and Mask
Max Beckmann
1920
Sans titre (Espagnoles)
Francis Picabia
1922-23
What’s this dull town to me…
Henry Thomas Alken
1822
Kasperltheater 5
Hans Kalmsteiner
1907
The Singer in Green
Edgar Degas
ca. 1884
Kleines Variete mit Sängerin
Ernst Ludwig Kirchner
1912
The Strife between Carnival and Lent
Pieter Bruegel The Elder
1550 - 1560
Restez, ma chère fille dans la voix du Seigneur.Ce soir j’irai vous porter l’absolution
Moloch (Alphonse Hector Colomb)
Gefährliche Begegnung
Otto Gebler
1870-75
ça fait déjà trois fois qu’ton frère me prend mon tabac, la prochaine fois qu’y r’commence j’y f’rai prendre la pipe
Fernand Louis Gottlob
1904
Ne faites donc pas attention
Frédéric Bouchot
1837
Comme quoi pour faire fructifier l’intérêt il sied parfois d’enfoncer le capital
Fernand Louis Gottlob
1906
More by this artist
Browse all artists