La pêche est le meilleur sport pour un instituteur retraité – car il peut toujours montrer sa partialité pour la canne.

Related Artworks

• Why, what’s the matter with Tommy John Leech 1852
• Sketch for ‘Mrs. Pottles Can’t Abide a Crowd’ John Leech 1856
• Being Pulled by a Crowd John Leech
• Snowballing John Leech
• Boy (loq.) O don’t I pity them poor Nobs in Carriages this hot weather John Leech 1830-64
• Captain Doleful attiring for the Masquerade John Leech 1854
• A Jockey-Cart John Leech
• Kitchen Staff John Leech 1837-64
• Design for ‘Hooking and Eyeing,’ a wood engraving published in ‘Punch’ John Leech 1851
• John Bull and Uncle Sam John Leech 1837-64
• Caricature of the County Hampshire John Leech
• Comic Sketch John Leech 1837-64
• Lilthorpe’s Gallant Attack on Street, Nuisances John Leech 1830-64
• Highland Regiment in Camp John Leech
• Mr. Facey Romford’s hounds; Fresh as a four year old. Went off like a shot!. John Leech 1865
• The Riverside, Favourable Wind and the Trout Rising as Fast as Possible John Leech 1830-64
• Caricatures of the counties of Devonshire and Gloucestershire John Leech
• Mr. Facey Romford’s hounds; This is a pretty present for a master of hounds to receive. John Leech 1865
• Meat to my tea – or – I’m sure I saw something!!!. John Leech
• Contemplating a day’s fishing, Mr. Briggs gets his tackle in order, and trys the management of his running line. John Leech
• “Mrs. Pottles can’t abide a Crowd” John Leech
• London at the Sea Side John Leech 1830-64
• Vegetarian Odd Fellows John Leech 1837-64
• Preparing for the Pantomime John Leech 1836-64
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• I stood like one thunderstruck, or as if I had seen an apparition N. C. Wyeth 1920
• Hamlet and Laertes fight in the grave (Act V, scene I Eugène Delacroix 1864
• At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
• Shinagawa Katsushika Hokusai 1810
• Worse than slavery Thomas Nast 1874
• The Dead Man (Der tote Mann) Wilhelm Lehmbruck 1915
• Notes sur l’amour Pl 07 Pierre Bonnard 1922
• Shinshi-bari – Cloth-stretcher Kitagawa Utamaro 1793-1804
• The Girl He Left Behind Him Winslow Homer 1864
• Drohung Ferdinand Freiherr von Reznicek 1908
• Combing Their Hair Henri de Toulouse-Lautrec 1896
• Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 5b Katsushika Hokusai 1816
• Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
• The Girl at the Window Edvard Munch 1894
• Beach Scene William James Glackens circa 1914
• Fork-tailed gull John James Audubon 1827-1838
• Purple sandpiper John James Audubon 1827-1838
• Highland Cattle Rosa Bonheur 1876
• Man with a Scythe Winslow Homer ca 1869
• Horse and rider on the Scottish highlands (The approaching storm) Rosa Bonheur
• Table Glass Emilio Zito c. 1940
• Brown pelican, Pelecanus fuscus John James Audubon 1827-1838
• Witch’s Tree Sir Edward Coley Burne-Jones
• Death and the Woodcutter Alphonse Legros 1881
• Puppies (Enokoro) Kamisaka Sekka 1909-1910
• Histoires naturelles Pl 15 Pierre Bonnard 1922
• Kyosen’s Collected Illustrations of Japanese Toys Pl.020 Kawasaki Kyosen 1919