Il luccio è un pesce vorace e morde volentieri nei mesi invernali – Il vecchio gentiluomo è MOLTO appassionato di pesca

Related Artworks

• Sketch for ‘Mrs. Pottles Can’t Abide a Crowd’ John Leech 1856
• Being Pulled by a Crowd John Leech
• Snowballing John Leech
• Boy (loq.) O don’t I pity them poor Nobs in Carriages this hot weather John Leech 1830-64
• Captain Doleful attiring for the Masquerade John Leech 1854
• A Jockey-Cart John Leech
• Kitchen Staff John Leech 1837-64
• Design for ‘Hooking and Eyeing,’ a wood engraving published in ‘Punch’ John Leech 1851
• John Bull and Uncle Sam John Leech 1837-64
• Caricature of the County Hampshire John Leech
• Comic Sketch John Leech 1837-64
• Lilthorpe’s Gallant Attack on Street, Nuisances John Leech 1830-64
• Highland Regiment in Camp John Leech
• Mr. Facey Romford’s hounds; Fresh as a four year old. Went off like a shot!. John Leech 1865
• The Riverside, Favourable Wind and the Trout Rising as Fast as Possible John Leech 1830-64
• Caricatures of the counties of Devonshire and Gloucestershire John Leech
• Mr. Facey Romford’s hounds; This is a pretty present for a master of hounds to receive. John Leech 1865
• Meat to my tea – or – I’m sure I saw something!!!. John Leech
• Contemplating a day’s fishing, Mr. Briggs gets his tackle in order, and trys the management of his running line. John Leech
• “Mrs. Pottles can’t abide a Crowd” John Leech
• London at the Sea Side John Leech 1830-64
• Vegetarian Odd Fellows John Leech 1837-64
• Preparing for the Pantomime John Leech 1836-64
• Caricature of the County Lancashire John Leech
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• Purple sandpiper John James Audubon 1827-1838
• Highland Cattle Rosa Bonheur 1876
• Les Bêcheurs Jean-François Millet circa 1855-1856
• The reveille on the line of battle Edwin Forbes 1861-1876
• Der Liebesbrief Franz von Defregger 1884
• Shop Lady (Woman in a Feathered Hat) William James Glackens 1910
• The Bow Tie Eugenio Zampighi
• The Knitting Lesson Jean-François Millet 1869
• Denslow’s Mother Goose Pl 33 William Wallace Denslow 1901
• Der Humor in der Reklame. Vortrag von Max Poculla Julius Klinger 1909
• Taking a mean advantage Thomas Rowlandson ca. 1780-1825
• Portrait of Émile Augier Nadar (Gaspard Félix Tournachon) 1852
• The Petulant Dolphin José Guadalupe Posada
• The shaver and the shavee Henry William Bunbury 1772
• Les caricatures de Puvis de Chavannes Pl.14 Pierre Puvis de Chavannes 1906
• Les caricatures de Puvis de Chavannes Pl.17 Pierre Puvis de Chavannes 1906
• Changing the Guard John Hassall
• Têtes de clous Alfred Le Petit 1872
• A Devotee !! Thomas Rowlandson 1799
• A Double-chinned Man Henry William Bunbury
• Vincent Benedetti (1817-1900 ; comte) Eugène Giraud 1867
• Riepl Gleichdron, Approbierter und Privile gierter Sauschneider, und spanischer äpfell Abaldator, Pl. 41 Elias Baeck 1710-1719