Teseu o arremessou para longe e ergueu sua terrível clava
1901
Teseu o arremessou para longe e ergueu sua terrível clava by Maud Hunt Squire, 1901, modernism
Related Artworks
- The Argonauts and the sea nymphs Maud Hunt Squire 1901
- At last Kerkoun grew angry and caught Theseus round the neck Maud Hunt Squire 1901
- The snatched the meat from off the table, and flew shrieking out above the roofs Maud Hunt Squire 1901
- Then they wept, and chattered and scolded; but in vain Maud Hunt Squire 1901
- When she cried, help met her Maud Hunt Squire 1901
- Do you see that land beyond! Maud Hunt Squire 1901
- Then Jason leapt forward warily Maud Hunt Squire 1901
- The two old men’s hands shook together as they tried to warm themselves before the fire Maud Hunt Squire 1901
- So they went down to the black-sailed ship Maud Hunt Squire 1901
- When they saw Theseus they shrieked; and the shepherds ran off Maud Hunt Squire 1901
- As he spoke Phineus and all his men-at-arms stopped short Maud Hunt Squire 1901
- As he played, they danced to his measure Maud Hunt Squire 1901
- The death of king Acrisius Maud Hunt Squire 1901
- Andromeda crouched trembling on the rock waiting for what might befall Maud Hunt Squire 1901
- Why do you look so sad, my uncle Maud Hunt Squire 1901
- Media shrieked and dashed the cup to the ground Maud Hunt Squire 1901
- So he stepped forward and saw them dancing Maud Hunt Squire 1901
- Go feed the tortoise thyself Maud Hunt Squire 1901
- See if i do not bring a nobler present than all of yours together! Maud Hunt Squire 1901
- Who are you, strange maiden! and what is the meaning of your prayer Maud Hunt Squire 1901
- Both the princesses besought him Maud Hunt Squire 1901
- Improvisation Flood Wassily Kandinsky 1914
- Océanie, la mer Henri Matisse 1946
- Murnau with church I Wassily Kandinsky 1910
- Lyrisch (Lyrical) Wassily Kandinsky 1923
- Large cross in black over red on white Kazimir Malevich 1920
- Sugar Cutter Edward L. Loper c. 1939
- Kompositionsstudie til Langelinje-billedet 5 Edvard Weie
- Ohne Titel (Untitled) Wassily Kandinsky 1940
- Composition Piet Mondrian 1921
- Blauer Kreis No. 2 (Cercle Bleu Ii) Wassily Kandinsky 1925
- Studie til portræt af drmed Carl Lorentzen 1860-1932 Edvard Weie
- Zwei Spiralen Wassily Kandinsky 1932
- Suprematisch worden van tWee kWA drA ten in 6 konstrukties Pl. 8 El Lissitzky 1922
- Feathery Trees Ernest Haskell 1900-1925
- Head of a Lioness Henri Gaudier-Brzeska 1910 - 1915
- Sapporo Nakanoshima no yuzuki (Evening moon at Nakanoshima, Sapporo) Kawase Hasui 1933
- Uchiyamashita, Okayama Kawase Hasui
- Ohne Titel László Moholy-Nagy 1922
- Eagle lurking for prey Ohara Koson 1887 - 1930
- Parole in liberta; futuriste olfattive tattili-termiche Pl. 7 Filippo Tommaso Marinetti 1932
- Painterly Realism of a Football Player – Color Masses in the 4th Dimension Kazimir Malevich 1915
- Oxenbridge Pond Paul Nash 1927-28
- Two gray starlings Ohara Koson 1900 - 1936
- Baby Sequoia Ernest Haskell 1915
- Parole in liberta; futuriste olfattive tattili-termiche Pl. 3 Filippo Tommaso Marinetti 1932
- Une présentation chez Schiaparelli Raoul Dufy circa 1935
- Air-supported exhibition building for the U.S. Atomic Energy Commission Victor Alfred Lundy 1960
- Young lady reading Marie Bracquemond
- Zittend mannelijk naakt, met geheven arm David Humbert de Superville
- Arashi hinasuke no minamoto no raikō to iwai kumesaburō no yosoihime Utagawa Toyokuni I 1799
- Truth coming out of the Well Edouard Bernard Debat-Ponsan 1898
- Het onweder Jean Brusselmans 1938
- Jesus cleansing the Temple (John II;15,16) Louis Prang & Co. 1892
- La revanche des paysans Jean-Antoine Watteau
- Old Man Kneeling Facing Upper Left Salvator Rosa 1615-73
- Out of the frying-pan into the fire Bernhard Gillam 1884
- The ‘brains’ Thomas Nast 1871
- Im Stahlwerk bei Krupp Karl Biese
- The Story of Samson Jörg Breu The Elder 1525-30
- The Fight Between Aeneas and King Turnus, From Virgil’s Aeneid Giacomo Del Po Circa 1700
- Boat in Distress Arthur Bowen Davies