応接間の陽光 III
Vilhelm Hammershøi
応接間の陽光 III by ヴィルヘルム・ハメルショイ, symbolism
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From Christianshavn’s Canal, Copenhagen
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Sun Over The Sea
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White doors, strandgade 30
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Stående nøgen dreng. Modelstudie
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Interior
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circa 1899
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Moonlight, Strandgade 30
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1900-1906
Kunstnerens Moder Frederikke Hammershøi (Portrait Of The Artist’s Mother)
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1890
Figure Reading at a Table in an Interior at Night
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ca. 1891
Hjørnet Af En Bondegård (Corner Of A Farm)
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Interior with Ida Playing the Piano
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1910
Portræt af Alfred Bramsen, profil mv
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1911
Standing Female Nude
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Woman seen from the Back
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1888
Stående mandlig model
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Dagligstuen på Frederiksberg Allé
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Interior with a bust
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Ida Ilsted, later the Artist’s Wife
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1890
Interior, Strandgade 30
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Ida Hammershøi, the Artist’s Wife, with a Teacup
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Interior With Ida in A White Chair
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The Yellow Christ
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Te arii vahine (The Queen of Beauty or The Noble Queen)
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Woman with a Flower
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Madonna
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The Girls on the Bridge
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Melancholy
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Melancholy III
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The Kiss
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Pensées
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Liggende akt
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The Forging of the Sampo, illustration for the Kalevala
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Auti te Pape (Women at the River)
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The Kiss
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Arearea (Joyfulness)
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Death In The Sickroom
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Water Serpents II
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Hina Tefatou (The Moon and the Earth)
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Porträt einer Frau
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Portrait of Adele Bloch-Bauer I
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Despair
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Women Bathing
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Träumender Mann – Botho Graef auf seinem Balkon sitzend, Jena
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Houses
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Interior with Five Figures, Roman
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Tabulata itionum; desseings des planchers des galleries
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The orthography, or geometrical elevation of the inside of S. Ignatius’s church.
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The Thistle Flower House
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Plan of a round building, the Pinacotheca for Schematic Painting
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My studio
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Een wever aan zijn weefgetouw
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Le Vert-Galant
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Little Pitch Pine
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Weidenbaum bei einer Holzbrücke, über die ein Mann schreitet
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