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Related Artworks

• Marriage A-La-Mode – 4, The Toilette William Hogarth C.1743
• Southwark Fair William Hogarth 1733
• Gin Street William Hogarth 1750
• The Sleeping Congregation William Hogarth 1736
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse William Hogarth 1751
• The Pugilist William Hogarth
• Restoration Procession of Charles II at Cheapside William Hogarth ca. 1745
• Characters and Caricaturas William Hogarth 1743
• Plate 1, The Fellow ‘Prentices at their Looms William Hogarth 1747
• Plate 3, The Idle ‘Prentice at Play in the Church Yard during Divine Service William Hogarth 1747
• Plate 5, The Idle ‘Prentice Turned Away, and Sent to Sea William Hogarth 1747
• A Midnight Modern Conversation William Hogarth
• William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire William Hogarth 1741
• Beer Street William Hogarth 1751
• Large Illustrations to Samuel Butler’s Hudibras; Hudibras and the Skimmington William Hogarth no.12
• The Company of Undertakers William Hogarth 1736
• Characters and Caricatures; subscription ticket for ‘Marriage à la Mode’ William Hogarth 1743
• Study of a Female Nude William Hogarth
• The Wedding of Stephen Beckingham and Mary Cox William Hogarth 1729
• Don Quixote releases the Galley Slaves William Hogarth 1756
• Plate 2, The Industrious ‘Prentice Performing the Duty of a Christian William Hogarth 1747
• Portrait of a Man William Hogarth 1741
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• Lords John and Bernard Stuart Thomas Gainsborough c.1760-70
• Julie Le Brun Looking in a Mirror Elisabeth Louise Vigée Le Brun 1787
• Portrait of Marie Antoinette (1755-1793) Elisabeth Louise Vigée Le Brun 1800
• The Grand Canal, Venice, Looking South-East from San Stae to the Fabbriche Nuove di Rialto Canaletto
• The Last Communion of St. Jerome Giovanni Battista Tiepolo c. 1726
• The Mall in St. James’s Park Thomas Gainsborough 1783
• The Swing Jean-Honoré Fragonard c. 1775-1780
• Portrait Of Marie-Adélaïde Of France, Daughter Of Louis Xv, Known As Madame Adélaïde Jean-Marc Nattier 1750
• Einsammeln Von Spenden Für Das Rote Kreuz Mit Kriegshunden Moritz Ledeli 1916
• The Triumph of Music Walter Crane ca. 1876
• L’Épouvantail bourgeois Théophile Alexandre Steinlen 1893
• Democratic badge Thomas Nast 1892
• Le four du roi de Prusse Alfred Le Petit 1870
• Bogy’s coming! An allegory for the nursery John Doyle 1846-1847
• Turning the Tables Sir John Tenniel 1891
• Commerce vs. conquest Louis Dalrymple 1898
• Politicians; ‘A Successful First Speech; Moab is my Washpot’, Mr. F. E. Smith, January 16, 1907 Leslie Matthew Ward 1907
• A Cavalier; Time of Louis XIV Ernest Meissonier 1856
• Francisque Sarcey Singulier effet de la chaleur Alfred Le Petit 1870
• Zurück vom Friedhof Max Beckmann 1946
• Les beaux jours de la Commune Demandez la grande joie du père Duchène Henri Demare 1871
• Propos de mi-Carême André Gill