Foglio commerciale per; Richard Hand, il più antico fornaio originale di Chelsey Bunn al King’s Arms Chelsey

1718

Foglio commerciale per; Richard Hand, il più antico fornaio originale di Chelsey Bunn al King’s Arms Chelsey by William Hogarth, 1718, Illustration, rococo

Related Artworks

The Four Stages of Cruelty; The Reward of Cruelty (Anatomy Theatre) William Hogarth 1751
The First Stage of Cruelty William Hogarth ca. 1750
The Sleeping Congregation William Hogarth 1736
Before William Hogarth 1730-1731
After William Hogarth circa 1730 - 1731
Portrait of a Lady William Hogarth ca. 1740
A Fishing Party William Hogarth c.1730-31
George Taylor’s Epitaph： George Taylor Breaking the Ribs of Death William Hogarth ca. 1750
The Bench William Hogarth 1758
The Invasion, Plate II; England William Hogarth 1756
Sign for a paviour William Hogarth ca. 1725
Plate 5, The Idle ‘Prentice Turned Away, and Sent to Sea William Hogarth 1747
William FitzHerbert William Hogarth early 1740s
Girl in a Plumed Hat William Hogarth ca. 1740
Plate 12, The Industrious ‘Prentice Lord Mayor of London William Hogarth 1747
Study for the Foundlings William Hogarth ca. 1739
Fustium Admonitio William Hogarth 1725
Analysis of Beauty, Plate I; A Statuary’s Yard William Hogarth 1753
Paul before Felix William Hogarth
Plate 6, The Industrious ‘Prentice Out of his Time and Married to his Master’s Daughter William Hogarth 1747
The Sleeping Congregation William Hogarth 1728
The Laughing Audience William Hogarth 1733
Study of a Girl’s Head William Hogarth
Pit Ticket William Hogarth 1759
Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
Cours de dessin Pl.63 Charles Bargue 1867
All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
Bijutsukai Pl.29 Furuya Kōrin 1901
Unique Specimens of Mineralogy Edward Francis Burney
Marthe Brandès, actrice Georges Goursat (Sem) 1901
El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
De aanzegger Albert Hahn 1904 - 1953
The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
Dernière Nouveauté Félix Vallotton 1893
Mowing farmer Daniel Nikolaus Chodowiecki 1759
Portrait of a boy Antoine Pesne 1737
Ulrik Scheffer Alexander Roslin 1716 - 99
Oriental scene or Esther’s banquet Jean-François de Troy
Ceres, Venus, Bacchus en slapende Amor Jacob de Wit c. 1705 - 1754
Fille de St. Jean de Patmos, Isle de l’Archipel, plate 6 François Boucher 18th century
La revanche des paysans Jean-Antoine Watteau
P137 - Count Simon De Montfort. Simon Comte de Montfort. Charles Grignion 1757-1772
Wystawa Ogrodnicza w Krakowie Jan Bukowski 1904
Kathreiner Weine Ludwig Hohlwein 1913
Oléochrysine 2 Jacques Touchet
Heidsieck & Co, Maison fondée en 1785 Imp. F. Champenois 1912
Müller Extra Julius Klinger 1912
Portrait of Pieter Salina Cornelis Engelsz. c. 1620
Hussein Khan Moritz Michael Daffinger 1839
Studies of Jagiełło’s overcoat for the painting ‘Queen Jadwiga’s Oath’ Józef Simmler 1867
Portrait of Emperor Hendrik IV Hubert Goltzius 1557-1559
Bust of Henry Clay Elisabeth Fulda 1935-1942
A Design for the Top of the Mace of the Royal College of Physicians of Ireland Frederic William Burton 1850
P197 - Habit of King Edward VI worn in England in 1550. Le Roi Edouard VI. Charles Grignion 1757-1772
Insurgés Polonais (1794) Raphaël Jacquemin 1869
Study for Court of King’s Bench, Westminster Hall, from Microcosm of London Augustus Charles Pugin 1808