Antoine-Jean Gros
Pioneered Romanticism through realistic war scenes
Antoine-Jean Gros, titled as Baron Gros in 1824, was a French painter. His work was in the genres of history and neoclassical painting. Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French Revolution. Forced to leave France, he moved to Genoa and witnessed the nearby Battle of Arcole (1796). Inspired by an event during the battle, he produced a portrait of the French commander, Napoleon Bonaparte, then a newly promoted general. The portrait brought Gros to public attention and gained the patronage of Napoleon. After travelling with Napoleon's army for several years, he returned to Paris in 1799. Gros produced several large paintings of battles and other events in Napoleon's life. These were mostly in a neoclassical style, but Napoléon on the Battlefield of Eylau adopted a more realistic portrayal of the horrors of war. Gros also painted portraits of officers in the French army and members of French high society. After the fall of Napoleon, he shifted his artistic focus and produced more history paintings, which art historians regard as less impressive than his earlier work.
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Artworks by this artist (46 total)
- Bonaparte visitant les pestiférés de Jaffa le 11 mars 1799 1804
- The Battle of Abukir, 25 July 1799 1807
- Clovis et Clotilde 1811
- Portrait présumé du Cordonnier Simon 1794-1795
- Portrait de Jacques Amalric 1804
- Mac Donald, duc de Tarente, maréchal de France (1765-1840) 1817
- Napoleon at the Battlefield of Eylau 1807
- Napoleon on the Battlefield of Eylau 1807
- Gloire des dynasties royales et impériales devant sainte Geneviève 1812
- General Jean-Baptiste Kléber (Sketch for ‘The Battle of the Pyramids’) c. 1835
- Portrait of a Man 18th or 19th century
- Portrait Of Baron Ségoing De Laborde
- Étienne-Henri Méhul 1799
- Napoleon on Horseback
- Portrait of Marie Thérèse Charlotte of France, Duchesse d’Angoulême 1816
- Bonaparte at the Bridge of Arcole 1796
- Bénédiction des drapeaux sur le parvis de Notre-Dame 1805
- François Gérard (1770–1837), later Baron Gérard ca. 1790
- A Man and a Woman Embracing
- Dr. Vignardonne 1827