Nicolas Poussin
Master of classical clarity, logic, and order
Nicolas Poussin was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscapes in his pictures. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin’s artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. His enthusiasm for the Italian works he saw in the royal collections in Paris motivated him to travel to Rome in 1624, where he studied the works of Renaissance and Baroque painters—especially Raphael, who had a powerful influence on his style. He befriended a number of artists who shared his classicizing tendencies, and met important patrons, such as Cardinal Francesco Barberini and the antiquarian Cassiano dal Pozzo. The commissions Poussin received for modestly scaled paintings of religious, mythological, and historical subjects allowed him to develop his individual style in works such as The Death of Germanicus, The Massacre of the Innocents, and the first of his two series of the Seven Sacraments. He was persuaded to return to France in 1640 to be First Painter to the King but, dissatisfied with the overwhelming workload and the court intrigues, returned permanently to Rome after a little more than a year. Among the important works from his later years are Orion Blinded Searching for the Sun, Landscape with Hercules and Cacus, and The Seasons.
Relationship Network
Master student
- Charles Le Brun Student
- Georges Lallemant Master
- Nicola Vaccaro Student
Fellow student
Influenced by
- Raphael Influenced_by
Influenced
- Paul Cézanne Influenced
- Charles Le Brun
- Christian Hilfgott Brand
- Claude Mellan
- Cornelis Huysmans
- Eugène von Guérard
- Gainsborough Dupont
- George Smith
- Isaac de Moucheron
- Jacques Stella
- Jean Auguste Dominique Ingres
- Jean Jouvenet
- Nicolai Abildgaard
- Nicolas Colombel
- Nicolas-Guy Brenet
- Nicolas-Pierre Loir
- Pompeo Batoni
Artworks by this artist
- Nymphs and a Satyr (Amor Vincit Omnia) c. 1625-1627
- The Empire of Flora 1631
- Saint John Baptizing in the River Jordan about 1630s
- The Holy Family 1641
- The Testament Of Eudamidas 1644 - 1648
- Annunciation ca 1657
- The Conquest Of Jerusalem By Emperor Titus
- El Parnaso
- The Healing of the Two Blind Men at Jericho 1600 - 1699
- Bacchus-Apollo 17th century
- The Birth of Venus 1635 Or 1636
- Landscape with a Calm
- Le massacre des Innocents 1626-1627
- Apollo and the Muses on Mount Parnassus 1626-1628
- Study of a Palm Tree ca. 1635-40
- L’enfance de Bacchus ca 1630
- Mars and Venus circa 1630
- The Adoration of the Shepherds ca. 1653
- Bacchanal ca. 1635-36
- Paysage avec deux nymphes et un serpent 1659