Art und Weise, ein Quadrat in Perspektive zu zeichnen.

Related Artworks

• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures Andrea Pozzo 1707
• The plan of a circular work in perspective. Andrea Pozzo 1707
• Self-Portrait Andrea Pozzo 1703
• St. Augustine and the Child on the Seashore Andrea Pozzo 1642-1709
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• The manner of avoiding confusion, in reducing plans and elevations into perspective. Andrea Pozzo 1707
• The rough draught of the following figure Andrea Pozzo 1707
• The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure. Andrea Pozzo 1707
• The Dorick base in perspective. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures. Andrea Pozzo 1707
• The orders of architecture, taken from Palladio and Scamozzi. Andrea Pozzo 1707
• The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations. Andrea Pozzo 1707
• A circular design in perspective. Andrea Pozzo 1707
• The composite capital in perspective Andrea Pozzo 1707
• The Ionick base in perspective. Andrea Pozzo 1707
• The manner of erecting machines, that consist of several ranges of frames. Andrea Pozzo 1707
• Another plan of a theater, with the method of finding the point of sight therein. Andrea Pozzo 1707
• Another preparation to the ninety-eighth and ninety-ninth figures. Andrea Pozzo 1707
• Circles in perspective Andrea Pozzo 1707
• A piece of Dorick architecture in perspective. Andrea Pozzo 1707
• The plan of a design of the Corinthian order. Andrea Pozzo 1707
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• The Sower Sir John Everett Millais 1864
• Charles I Anthony van Dyck 1600-49
• Queen Henrietta Maria of England Anthony van Dyck 1614 - 1641
• The Conversation à la mode or The Garden of Love Peter Paul Rubens
• Pietà Annibale Carracci
• The Holy Family on the Steps Nicolas Poussin 1648
• Portrait of the Count-Duke of Olivares Diego Velázquez 1624
• Rembrandt and Saskia in the Scene of the Prodigal Son Rembrandt van Rijn circa 1635
• Portrait of a Young Cavalier Frans Hals
• Finale (Studio per ‘Musicalisme’) Félix Del Marle 1925
• Entwurf zu einem Wandbild für Edwin R. Campbell Wassily Kandinsky 1914
• Tête De Femme Julio González 1936
• Figur auf grauem Grund Oskar Schlemmer 1928
• Large variation Alexej von Jawlensky 1915
• The Art of Decorative Design pl03 Christopher Dresser 1862
• Polysiphonia nigrescens Anna Atkins 1843-1853
• Sargassum bacciferum Anna Atkins 1843-1853
• Sheet of Figure Studies from Raphael’s Disputation Sir Joshua Reynolds
• Hand studies for the kneeling maenad in the ‘Altar des Dionysos’ Gustav Klimt 1886-87
• Le Comptoir Louis Marcoussis 1920
• Man on Horseback, and Study of Horse’s Head Théodore Géricault 19th century
• Amusement microscopique tant pour l’esprit, que pour les yeux Pl.036 Martin Frobenius Ledermüller 1764-1768
• Abstract Figure Study Henri Gaudier-Brzeska 1910 - 1915