De la réalisation du réseau sur des cadres, pour représenter l’’architecture comme solide.

Related Artworks

• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures Andrea Pozzo 1707
• The plan of a circular work in perspective. Andrea Pozzo 1707
• Manner of delineating a square in perspective. Andrea Pozzo 1707
• Self-Portrait Andrea Pozzo 1703
• St. Augustine and the Child on the Seashore Andrea Pozzo 1642-1709
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• The manner of avoiding confusion, in reducing plans and elevations into perspective. Andrea Pozzo 1707
• The rough draught of the following figure Andrea Pozzo 1707
• The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure. Andrea Pozzo 1707
• The Dorick base in perspective. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures. Andrea Pozzo 1707
• The orders of architecture, taken from Palladio and Scamozzi. Andrea Pozzo 1707
• The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations. Andrea Pozzo 1707
• A circular design in perspective. Andrea Pozzo 1707
• The composite capital in perspective Andrea Pozzo 1707
• The Ionick base in perspective. Andrea Pozzo 1707
• The manner of erecting machines, that consist of several ranges of frames. Andrea Pozzo 1707
• Another plan of a theater, with the method of finding the point of sight therein. Andrea Pozzo 1707
• Another preparation to the ninety-eighth and ninety-ninth figures. Andrea Pozzo 1707
• Circles in perspective Andrea Pozzo 1707
• A piece of Dorick architecture in perspective. Andrea Pozzo 1707
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• The Sower Sir John Everett Millais 1864
• Charles I Anthony van Dyck 1600-49
• Queen Henrietta Maria of England Anthony van Dyck 1614 - 1641
• The Conversation à la mode or The Garden of Love Peter Paul Rubens
• Pietà Annibale Carracci
• The Holy Family on the Steps Nicolas Poussin 1648
• Portrait of the Count-Duke of Olivares Diego Velázquez 1624
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• Portrait of a Young Cavalier Frans Hals
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• Entrance Screen at Stowe House, Buckinghamshire： Elevation and Plan William Kent ca. 1733
• Reading Stand E. Boyd 1935-1942
• Mosaik-Fussböden aus der Kirche Or’ San Michele zu Florenz Friedrich Maximilian Hessemer 1842
• Design for Ceiling Decorations, Fontainebleau Jules-Edmond-Charles Lachaise 19th Century
• Anfänge von Sakralbauten (Beginnings of sacred buildings) Paul Klee 1926
• Architectural design Leon Chwistek 1927
• The Jockeys Edgar Degas ca. 1882
• Kakitsubata o matsu wakashū Tsukioka Yoshitoshi 1866
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• Portrait of a Lady in White Sir Joshua Reynolds ca. 1762-1764
• Polyzoa II Frederick McCoy 1885-1890