원근법으로 본 직사각형의 묘사

Related Artworks

• An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture. Andrea Pozzo 1707
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• A projection of the Dorick order in perspective. Andrea Pozzo 1707
• Corinthian pedestals in an horizontal perspective. Andrea Pozzo 1707
• The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• Of scenes for the stage. Andrea Pozzo 1707
• The horizontal projection of a shaded corbel. Andrea Pozzo 1707
• The plan of an Ionick building. Andrea Pozzo 1707
• The orders of architecture, taken from Palladio and Scamozzi. Andrea Pozzo 1707
• The elevation of scenes in front, and how the oblique scenes are made to appear direct. Andrea Pozzo 1707
• The Corinthian pedestal, with its pilasters, in perspectives. Andrea Pozzo 1707
• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• Another example of a geometrical plan and upright, put in perspective. Andrea Pozzo 1707
• Of horizontal perspective Andrea Pozzo 1707
• A Tuscan column in perspective. Andrea Pozzo 1707
• Plans of squares, with their elevations. Andrea Pozzo 1707
• The section of profile of scenes for theaters. Andrea Pozzo 1707
• Part of an octangular work of the Corinthian order. Andrea Pozzo 1707
• The attick base in perspective. Andrea Pozzo 1707
• The elevation of the forty-first figure in perspective. Andrea Pozzo 1707
• Self-Portrait Andrea Pozzo 1703
• The manner of designing in perspective, without occult lines. Andrea Pozzo 1707
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• The Rhine-Maidens teasing Alberich Arthur Rackham 1910
• Appearing Again; The Courtesan Naniwaya Okita Kitagawa Utamaro circa 1795-1796
• Milton, a poem in 2 books Pl.29 William Blake 19th century
• At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
• Mlle Bécat at the Café des Ambassadeurs Edgar Degas 1877-78
• Justice!. Thomas Nast 1873
• ‘Snap-the-Whip’ Winslow Homer 1872
• Drummer Winslow Homer 1864
• A man, sitting on the ground Katsushika Hokusai 1830-1850
• Statesman José Guadalupe Posada
• Gogatsu no bu Katsushika Hokusai 1791
• Tournament with the Tapestry of Samson and the Lion Lucas Cranach the Elder 1509
• Notes sur l’amour Pl 07 Pierre Bonnard 1922
• The Invasion, Plate II; England William Hogarth 1756
• Christ Crucified Francisco de Zurbarán circa 1655
• Return of the Prodigal Son Rembrandt van Rijn 1636
• Saint John The Baptist In The Wilderness Caravaggio
• Girl with a Pearl Earring Johannes Vermeer c. 1665
• Ecce homo Peter Paul Rubens 1800 - 1857
• View of Haarlem from the Northwest, with the Bleaching Fields in the Foreground Jacob van Ruisdael c. 1650 - c. 1682
• The Testament Of Eudamidas Nicolas Poussin 1644 - 1648
• The goldsmith Rembrandt van Rijn 1655
• Hexactinellae. – Glasschwämme Ernst Haeckel 1904
• Padded Coverlet Edward L. Loper c. 1937
• Blastoïdea. – Knospensterne Ernst Haeckel 1904
• The Art of Decorative Design pl27 Christopher Dresser 1862
• Honey Dish Marie Famularo c. 1936
• Abstract design based on flowers and berries Maurice Pillard Verneuil 1900
• L’harmonie des couleurs Pl.093 Édouard Guichard 1880
• Blumenstillleben Alexej von Jawlensky Ca. 1922-1925
• Silver Salt Spoon Frederick Jackson 1935-1942
• Server Dish Joseph Sudek 1936
• Elizabeth Kerr, Marchioness of Lothian Sir Joshua Reynolds 1745-80
• Feuilles Henri Matisse circa 1943
• Whiff, Pleuronectes Megastoma Edward Donovan 1803
• Sewen, Ssalmo Cambricus Edward Donovan 1803