透視中長方形的描繪

Related Artworks

• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• A projection of the Dorick order in perspective. Andrea Pozzo 1707
• Corinthian pedestals in an horizontal perspective. Andrea Pozzo 1707
• The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• The geometrical plan, and first preparation to the seventy-first figure. Andrea Pozzo 1707
• Of scenes for the stage. Andrea Pozzo 1707
• The horizontal projection of a shaded corbel. Andrea Pozzo 1707
• The plan of an Ionick building. Andrea Pozzo 1707
• The orders of architecture, taken from Palladio and Scamozzi. Andrea Pozzo 1707
• The elevation of scenes in front, and how the oblique scenes are made to appear direct. Andrea Pozzo 1707
• The Corinthian pedestal, with its pilasters, in perspectives. Andrea Pozzo 1707
• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• Another example of a geometrical plan and upright, put in perspective. Andrea Pozzo 1707
• Of horizontal perspective Andrea Pozzo 1707
• Circles in perspective Andrea Pozzo 1707
• A Tuscan column in perspective. Andrea Pozzo 1707
• Plans of squares, with their elevations. Andrea Pozzo 1707
• The section of profile of scenes for theaters. Andrea Pozzo 1707
• Part of an octangular work of the Corinthian order. Andrea Pozzo 1707
• The attick base in perspective. Andrea Pozzo 1707
• The elevation of the forty-first figure in perspective. Andrea Pozzo 1707
• Self-Portrait Andrea Pozzo 1703
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Cours de dessin Pl.63 Charles Bargue 1867
• All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
• Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
• John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
• Bijutsukai Pl.29 Furuya Kōrin 1901
• Unique Specimens of Mineralogy Edward Francis Burney
• Marthe Brandès, actrice Georges Goursat (Sem) 1901
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• De aanzegger Albert Hahn 1904 - 1953
• The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
• N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
• Dernière Nouveauté Félix Vallotton 1893
• Village massacre George Wesley Bellows 1918
• Robert de Montesquiou et Gabriel Yturri Georges Goursat (Sem) 1905
• Nachtwacht Rembrandt van Rijn 1 January 1642
• Picture Gallery with Views of Modern Rome Giovanni Paolo Panini 1757
• The Painter Peter Paul Rubens Peter Paul Rubens
• The Destruction And Sack Of The Temple Of Jerusalem Nicolas Poussin 1625 - 1626
• Madonna and Child with Saint Anne Caravaggio 1605-06
• Portrait of Pieter Salina Cornelis Engelsz. c. 1620
• Dissertation sur la generation et les transformations des insectes de Surinam Pl.70 Maria Sibylla Merian 1705
• Ragged Peasant with His Hands behind Him, Holding a Stick Rembrandt van Rijn 1630
• Blumenstillleben Alexej von Jawlensky Ca. 1922-1925
• Abstract II Carl Newman
• Handspun Bedspread Julie C. Brush c. 1937
• Drawing for ‘Bild auf hellem Grund’ Wassily Kandinsky 1916
• Coverlet Katherine Hastings c. 1937
• Têtes 7 Julio González
• Friendship Quilt Carl Keksi 1935-1942
• Nature Morte Au Compotier Juan Gris 1918
• Sewen, Ssalmo Cambricus Edward Donovan 1803
• Sparus macrophthalmus, The Goggle-eye. Marcus Elieser Bloch 1785-1797
• Portrait of a Young Man 2 Nicaise De Keyser
• Table Louis Marcoussis 1934
• Femme nue de face, tenant un arrosoir dans la main gauche Pierre Puvis de Chavannes 1888-1891
• The mineral conchology of Great Britain Pl.202 James Sowerby 1812