원근법의 이오니아식 받침대, 입면도의 혼란을 피하는 방법 포함

Related Artworks

• Elevation of the Ionick design in perspective. Andrea Pozzo 1707
• The composite capital in perspective Andrea Pozzo 1707
• Self-Portrait Andrea Pozzo 1703
• A side-view of the composite cornice, in perspective. Andrea Pozzo 1707
• Preparatory to the thirty-seventh. [Outline and perspective lines.] Andrea Pozzo 1707
• An octangular tabernacle in perspective. Andrea Pozzo 1707
• The Dorick base in perspective. Andrea Pozzo 1707
• The horizontal projection of the ballustrade of the eighty-seventh figure, view’d at a small distance. Andrea Pozzo 1707
• A piece of Dorick architecture in perspective. Andrea Pozzo 1707
• The preparation necessary to the following figure, and to all other horizontal perspectives, whether on flat or vaulted ceilings. Andrea Pozzo 1707
• The geometrical upright of the foregoing Ionick design. Andrea Pozzo 1707
• The plan of the fortieth figure in perspective. Andrea Pozzo 1707
• Preparatory to the thirty-ninth. [Outline and perspective lines.] Andrea Pozzo 1707
• The Corinthian capital in perspective Andrea Pozzo 1707
• The manner of avoiding confusion, in reducing plans and elevations into perspective. Andrea Pozzo 1707
• The delineation of an oblong square in perspective. Andrea Pozzo 1707
• The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure. Andrea Pozzo 1707
• Rules and examples of perspective, proper for painters and architects, etc - Frontispiece Andrea Pozzo 1707
• A Corinthian cornice in horizontal perspective. Andrea Pozzo 1707
• The Corinthian pedestal, with its pilasters, in perspectives. Andrea Pozzo 1707
• The plan of a circular work in perspective. Andrea Pozzo 1707
• The attick base in perspective. Andrea Pozzo 1707
• The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order. Andrea Pozzo 1707
• The geometrical elevation of a Corinthian work. Andrea Pozzo 1707
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Cours de dessin Pl.63 Charles Bargue 1867
• All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
• Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
• John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
• Bijutsukai Pl.29 Furuya Kōrin 1901
• Unique Specimens of Mineralogy Edward Francis Burney
• Marthe Brandès, actrice Georges Goursat (Sem) 1901
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• De aanzegger Albert Hahn 1904 - 1953
• The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
• N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
• Dernière Nouveauté Félix Vallotton 1893
• Village massacre George Wesley Bellows 1918
• Robert de Montesquiou et Gabriel Yturri Georges Goursat (Sem) 1905
• Nachtwacht Rembrandt van Rijn 1 January 1642
• Wooded Landscape with Hunter Aert van der Neer c. 1642 - 1643
• Portrait of Pieter Salina Cornelis Engelsz. c. 1620
• Ships on a turbulent sea Jan Porcellis
• A Racehorse, Bridled and Saddled James Seymour
• The Triumph Of Reason Carlo Carlone
• The Assumption of the Virgin Peter Paul Rubens 1613-1614
• Julius Cæsar modtager Pompeius’ afhuggede hoved Giovanni Antonio Pellegrini
• House wall (window) Egon Schiele 1914
• Sunshine in the Drawingroom III Vilhelm Hammershøi
• Garden of Vieux Jones near Maastricht Charles Gore between 1784 and 1794
• Fond de Boudoir Bagge & Huguet 1920
• Langford House, Dublin, Ireland Great Room Ceiling Robert Adam 1765
• Tomb of Messina Mary Altha Nims 1800s
• Design for the decoration of a ceiling in rinceaux Jules-Edmond-Charles Lachaise 1830[-]97
• Noord-Hollandse boerderij met erf  Gerrit van Blaaderen circa 1920
• Sewen, Ssalmo Cambricus Edward Donovan 1803
• Sparus macrophthalmus, The Goggle-eye. Marcus Elieser Bloch 1785-1797
• Portrait of a Young Man 2 Nicaise De Keyser
• Table Louis Marcoussis 1934
• Femme nue de face, tenant un arrosoir dans la main gauche Pierre Puvis de Chavannes 1888-1891
• The mineral conchology of Great Britain Pl.202 James Sowerby 1812