男人頭像（1906）2

愛德華·蒙克，這位為我們呈現存在主義恐懼終極吶喊的藝術家，在這幅1906年的肖像畫中轉向了一種更為安靜但同樣強烈的風格。一位留著鬍鬚的男子將下巴抵在緊握的拳頭上，目光沉重而遙遠，彷彿正在解決世界難題，或者只是忍受著劇烈的頭痛。那些粗糙、急促的線條並非隨意雜亂；它們與那幅著名的吶喊人物一樣，振動著同樣的心理能量，剝去現實的修飾，展現原始的情感。這是象徵主義的完美典範，其中氛圍遠比精確描繪鼻子重要得多。

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