石匠
1929
《吶喊》背後的大師愛德華·蒙克，在此呈現了1929年一個出人意料地靜謐、如幽靈般的瞬間。一個身穿藍色夾克的孤獨身影蜷縮而坐，在暗示著在建建築的淡淡骨架線條背景下顯得渺小。這感覺不像是一幅完成的肖像畫，而更像是一個工人休息時的短暫記憶。蒙克晚年對勞動與孤立著迷，他剝離細節，只留下場景的本質——這是其象徵主義根源的標誌。
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