見よ、この人よ

19th century

ウジェーヌ・レルマンスは、古典的な聖書の場面「エッケ・ホモ」を取り上げ、それを19世紀ベルギーの過酷な現実へと引きずり込んでいます。静謐で神聖な瞬間の代わりに、バルコニーの下に集まった混沌とした、ほとんど寄せ集めの群衆が目に入り、彼らの身体は緩やかで焦燥感あふれる筆致で描かれ、絵画とスケッチが混ざり合ったような印象を与えます。レルマンスは貧しい人々の過酷な生活を描くことで有名でしたが、ここでは聖書の群衆を絶望した日常の人々へと変容させ、神聖な場面を驚くほど生々しく人間的なものにしています。

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