Die Frau der Spiegel

Related Artworks

• Parole in liberta; futuriste olfattive tattili-termiche Pl. 2 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 14 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 13 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 1 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 7 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 9 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 12 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 6 Filippo Tommaso Marinetti 1932
• In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front Filippo Tommaso Marinetti 1917
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 8 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 4 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 5 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 11 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 3 Filippo Tommaso Marinetti 1932
• Parole in liberta; futuriste olfattive tattili-termiche Pl. 10 Filippo Tommaso Marinetti 1932
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The Sower Sir John Everett Millais 1864
• Hari-shigoto – Needlework Kitagawa Utamaro 1793-1804
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• ‘Snap-the-Whip’ Winslow Homer 1872
• The man with the (carpet) bags@Illustration Thomas Nast
• —and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury N. C. Wyeth 1920
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• Linear Composition Alexander Rodchenko 1920
• Ames du Purgatoire Auguste Rodin 1893
• The Ships (Holland) Wassily Kandinsky
• The Music Lesson Henri Matisse 1917
• Improvisation 21a Wassily Kandinsky 1911
• Klänge Wassily Kandinsky 1913
• Standing Nude near Window Henri Matisse 1919-1920
• Entwurf zu ‘Komposition VII’ Wassily Kandinsky 1913
• Lunia Czechowska Amedeo Modigliani 1919
• Madame X (Madame Pierre Gautreau) John Singer Sargent between 1883 and 1884
• Portrait de Jeanne Samary Pierre-Auguste Renoir circa 1879
• Portrait of Gerard de Lairesse Rembrandt van Rijn 1665-67
• Madame Kisling Amedeo Modigliani c. 1917
• Le Chapeau de Paille Peter Paul Rubens 1622-25
• Jeanne Samary Pierre-Auguste Renoir 1878
• Woman in a Flowered Hat Pierre-Auguste Renoir