Drei grabende Männer

Related Artworks

• Self-Portrait Francisco de Goya
• A man with a raised whip breaking up a fight between two figures Francisco de Goya ca. 1812-20
• Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
• Monks in an interior Francisco de Goya ca. 1812-20
• Young Woman Wringing Her Hands over a Man’s Naked Body (verso) Francisco de Goya 1796-97
• Two brothers killing their sister’s lover in her presence Francisco de Goya 1796-1798
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• A woman giving a mug to an old man Francisco de Goya ca. 1812-20
• Friar Pedro Shoots El Maragato as His Horse Runs Off Francisco de Goya c. 1806
• A man stabbing another Francisco de Goya ca. 1812-20
• Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
• Quien lo creyera! (Who would have thought it!) Francisco de Goya 1796-1797
• After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón]) Francisco de Goya ca. 1813-1820
• The Water Carrier Francisco de Goya
• Unos á otros. (What one does to another.) Francisco de Goya 1796-1797
• Where There’s a Will There’s a Way (A way of Flying) Francisco de Goya circa 1815 - 1824
• To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) Francisco de Goya ca. 1813-1820
• Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun Francisco de Goya c. 1806
• Estan calientes. (They are hot.) Francisco de Goya 1796-1797
• El Tres de Mayo Francisco de Goya 1814
• ‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
• The Marquesa de Pontejos Francisco de Goya c. 1786
• Asta su Abuelo. (And so was his grandfather.) Francisco de Goya 1796-1797
• Beggar with a staff in his left hand Francisco de Goya ca. 1812-20
• The Meeting of Anthony and Cleopatra Giovanni Battista Tiepolo 1696-1770
• The Hundred Guilder Print Rembrandt van Rijn 1648
• Femme nue Amedeo Modigliani 1905-1907
• The Three Crosses Rembrandt van Rijn Circa 1653-1655
• Balleteuse (Ballet Dancer) Edgar Degas 1885-1890
• Stehender männlicher Akt mit erhobenen Armen (Selbstbildnis) Egon Schiele 1911
• The Garden of Love (right portion) Peter Paul Rubens ca. 1633-35
• The Life Line Winslow Homer 1884
• Girl Dressing John Sloan 1914
• The Valley of Vision Samuel Palmer
• Reclining Nude Egon Schiele 1918
• Badende am Strand von Fehmarn Ernst Ludwig Kirchner 1912-13
• The Biglin Brothers Turning the Stake Thomas Eakins 1873
• Madonna with the Bowl Annibale Carracci 1606
• Christ on the cross Anthony van Dyck
• Yachting Girl Winslow Homer 1880
• The Course of Empire–The Savage State Thomas Cole ca. 1834
• Salisbury Cathedral from the Bishop’s Grounds John Constable ca. 1825
• Illustrations of the book of Job Pl.02 William Blake 1826
• Andrew Jackson Thomas Sully 1845
• Der Hagestolz Carl Spitzweg 1847 -1849
• James Hutton, 1726 – 1797. Geologist Sir Henry Raeburn
• Cotopaxi (1855) 2 Frederic Edwin Church
• Approach to Venice Joseph Mallord William Turner 1844
• Shepherdess Seated on a Rock Jean-François Millet 1856
• Man with a Hoe Jean-François Millet
• The Young Dealer George Morland 1805
• Peasant Girl Returning From The Well Jean-François Millet c. 1860
• Glaneuse debout tenant un ballot de paille sur la tête Jean-François Millet
• The Threshing Floor Francisco de Goya 1786-1787
• The Ploughman Hans Holbein The Younger c. 1526
• Seated Peasant Resting on a Hoe Jean-François Millet
• Head of a Woman Annibale Carracci about 1582
• Christuskopf Johann Till the younger
• Portrait of Rachela Romer née de Raes Jan Chrucki 1849
• ‘Les soldats de l’industrie’, deuxième foreur du puits de Passy (1855-1861) Ignace François Bonhomme 1855-1861
• J. M. (Jean Margaret) Lander Conrad A. Müller 1870-1897
• Halt of Wilcox’s Troops in Caroline street prevous[sic] to going in to battle– Arthur Lumley 1862