땅을 파는 세 남자

Francisco de Goya

ca. 1812-20

땅을 파는 세 남자 by 프란시스코 고야, ca. 1812-20, Drawings, romanticism

Related Artworks

Self-Portrait Francisco de Goya
A man with a raised whip breaking up a fight between two figures Francisco de Goya ca. 1812-20
Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
Young Woman Wringing Her Hands over a Man’s Naked Body (verso) Francisco de Goya 1796-97
Monks in an interior Francisco de Goya ca. 1812-20
Two brothers killing their sister’s lover in her presence Francisco de Goya 1796-1798
El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
A woman giving a mug to an old man Francisco de Goya ca. 1812-20
Friar Pedro Shoots El Maragato as His Horse Runs Off Francisco de Goya c. 1806
A man stabbing another Francisco de Goya ca. 1812-20
Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
Quien lo creyera! (Who would have thought it!) Francisco de Goya 1796-1797
After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón]) Francisco de Goya ca. 1813-1820
The Water Carrier Francisco de Goya
Unos á otros. (What one does to another.) Francisco de Goya 1796-1797
Where There’s a Will There’s a Way (A way of Flying) Francisco de Goya circa 1815 - 1824
To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) Francisco de Goya ca. 1813-1820
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun Francisco de Goya c. 1806
Estan calientes. (They are hot.) Francisco de Goya 1796-1797
El Tres de Mayo Francisco de Goya 1814
‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
The Marquesa de Pontejos Francisco de Goya c. 1786
Asta su Abuelo. (And so was his grandfather.) Francisco de Goya 1796-1797
Beggar with a staff in his left hand Francisco de Goya ca. 1812-20
The Meeting of Anthony and Cleopatra Giovanni Battista Tiepolo 1696-1770
The Hundred Guilder Print Rembrandt van Rijn 1648
Femme nue Amedeo Modigliani 1905-1907
The Three Crosses Rembrandt van Rijn Circa 1653-1655
Balleteuse (Ballet Dancer) Edgar Degas 1885-1890
Stehender männlicher Akt mit erhobenen Armen (Selbstbildnis) Egon Schiele 1911
The Garden of Love (right portion) Peter Paul Rubens ca. 1633-35
The Life Line Winslow Homer 1884
Girl Dressing John Sloan 1914
The Valley of Vision Samuel Palmer
Reclining Nude Egon Schiele 1918
Badende am Strand von Fehmarn Ernst Ludwig Kirchner 1912-13
The Biglin Brothers Turning the Stake Thomas Eakins 1873
Madonna with the Bowl Annibale Carracci 1606
Christ on the cross Anthony van Dyck
Yachting Girl Winslow Homer 1880
The Course of Empire–The Savage State Thomas Cole ca. 1834
Salisbury Cathedral from the Bishop’s Grounds John Constable ca. 1825
Illustrations of the book of Job Pl.02 William Blake 1826
Andrew Jackson Thomas Sully 1845
Der Hagestolz Carl Spitzweg 1847 -1849
James Hutton, 1726 – 1797. Geologist Sir Henry Raeburn
Cotopaxi (1855) 2 Frederic Edwin Church
Approach to Venice Joseph Mallord William Turner 1844
Shepherdess Seated on a Rock Jean-François Millet 1856
Man with a Hoe Jean-François Millet
The Young Dealer George Morland 1805
Peasant Girl Returning From The Well Jean-François Millet c. 1860
Glaneuse debout tenant un ballot de paille sur la tête Jean-François Millet
The Threshing Floor Francisco de Goya 1786-1787
The Ploughman Hans Holbein The Younger c. 1526
Seated Peasant Resting on a Hoe Jean-François Millet
Head of a Woman Annibale Carracci about 1582
Christuskopf Johann Till the younger
Portrait of Rachela Romer née de Raes Jan Chrucki 1849
‘Les soldats de l’industrie’, deuxième foreur du puits de Passy (1855-1861) Ignace François Bonhomme 1855-1861
J. M. (Jean Margaret) Lander Conrad A. Müller 1870-1897
Halt of Wilcox’s Troops in Caroline street prevous[sic] to going in to battle– Arthur Lumley 1862