La plus haute tour d'Amérique, plus un peu de tempérament

Related Artworks

• Green and Red Motif John Marin 1924
• West Point, Maine John Marin 1914
• Maine Landscape John Marin 1914
• Landscape Forms, Delaware County, Pennsylvania, no. 2 John Marin 1916
• Lighthouse, Stonington, Maine John Marin 1921
• Land and Sky, France John Marin 1908
• Maine Coast John Marin 1914
• Deer Isle, Maine John Marin 1924
• Chocorua Along with Dead Trees, White Mountains, N.H. John Marin 1926
• Boat with Sun, Deer Isle, Maine John Marin 1921
• The little Footbridge, Meaux John Marin 1908
• The Little Maple Tree, Castorland, New York John Marin 1913
• On Road to Sparkill, New York John Marin 1925
• Small Point, Maine John Marin 1919
• Fifth avenue – as it looks to a leader of the post-impressionists John Marin 1912
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The Sower Sir John Everett Millais 1864
• Hari-shigoto – Needlework Kitagawa Utamaro 1793-1804
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• ‘Snap-the-Whip’ Winslow Homer 1872
• The man with the (carpet) bags@Illustration Thomas Nast
• —and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury N. C. Wyeth 1920
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• Linear Composition Alexander Rodchenko 1920
• Ames du Purgatoire Auguste Rodin 1893
• The Ships (Holland) Wassily Kandinsky
• The Music Lesson Henri Matisse 1917
• Improvisation 21a Wassily Kandinsky 1911
• Klänge Wassily Kandinsky 1913
• Standing Nude near Window Henri Matisse 1919-1920
• Entwurf zu ‘Komposition VII’ Wassily Kandinsky 1913
• Brandenburg Gate Ernst Ludwig Kirchner 1929
• View of the Piazza Navona, Rome Hendrik Frans Van Lint circa 1730
• Les Halles et la rue de la Tonnellerie Giuseppe Canella 1828
• Broadway Above 23rd Street Joseph Pennell 1905
• Stadtszene, Nollendorfplatz Ernst Ludwig Kirchner 1915
• Houses in Dresden Ernst Ludwig Kirchner
• View of Houses in Delft, Known as ‘The Little Street’ Johannes Vermeer c. 1658
• Karlsplatz in Wien Erwin Pendl
• Entwurf zu einem Wandbild für Edwin R. Campbell Nr. 1 Wassily Kandinsky 1914