グラスと新聞
1917
Juan Gris, a master of the Cubist movement, treats this 1917 still life like a delightful visual puzzle. He shatters a glass and a copy of the newspaper *Le Journal* into overlapping geometric planes of mustard yellow, slate grey, and deep black. Instead of realistic perspective, he flattens the scene, letting bold fragments of typography like 'LE' and 'AL' anchor the abstract shapes in everyday Parisian life. This piece is a prime example of Synthetic Cubism, where Gris builds up the composition from simplified, flat forms—almost like a painted collage—turning a mundane café table into a rhythmic, structural masterpiece.
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