다섯 인물이 있는 실내, 로마풍
1925
Oskar Schlemmer, a master at the legendary Bauhaus school, treated the human body like a living sculpture in this striking 1925 piece. The figures look less like flesh and blood and more like elegant wooden mannequins, frozen in a silent, geometric drama. Notice the checkerboard floor peeking through the doorway—it’s a classic Schlemmer trick to create a sense of infinite, theatrical space. He was obsessed with how humans move through architecture, blending art, dance, and design into one weirdly captivating vision.
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