코린트식 오더 팔각 작품의 일부
Andrea Pozzo
1707
코린트식 오더 팔각 작품의 일부 by 안드레아 포초, 1707, Illustration, baroque
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The orthography, or geometrical elevation of the inside of S. Ignatius’s church.
Andrea Pozzo
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Self-Portrait
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A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows.
Andrea Pozzo
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Pozzo’s architecture in perspective
Andrea Pozzo
1707
The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order.
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The geometrical plan of a design, of the Dorick order.
Andrea Pozzo
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Of scenes for the stage.
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The horizontal projection of a shaded corbel.
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The Corinthian pedestal, with its pilasters, in perspectives.
Andrea Pozzo
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Another example of a geometrical plan and upright, put in perspective.
Andrea Pozzo
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Of horizontal perspective
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The delineation of an oblong square in perspective.
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A Tuscan column in perspective.
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Plans of squares, with their elevations.
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The attick base in perspective.
Andrea Pozzo
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The elevation of the forty-first figure in perspective.
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A Corinthian design in perspective
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The perspective of the elevation of the sixty-eighth figure, and the fourth preparation to the seventy-first figure.
Andrea Pozzo
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A circular design in perspective.
Andrea Pozzo
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Preparatory to the thirty-fifth. [Outline and perspective lines.]
Andrea Pozzo
1707
The Tuscan base in perspective
Andrea Pozzo
1707
The rough draught of the following figure
Andrea Pozzo
1707
One half of the Dorick design in perspective.
Andrea Pozzo
1707
A Corinthian cornice in horizontal perspective.
Andrea Pozzo
1707
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