落日

1913

1913年，埃贡·席勒将他惯常描绘的扭曲、焦虑的人物形象替换为宁静的乡村景色，创作了这幅充满情绪的表现主义风景画。天空燃烧着尘土般的粉红与紫色薄雾，为远处深色的梯田和嶙峋的山脉投下超现实的光辉。纤细得近乎骨架般的树木伸向暮色，它们精致的枝条与下方厚重、块状的田野形成鲜明对比。这是窥见艺术家柔和一面的罕见机会，证明他既能同样有力地捕捉自然的诡异之美，也能捕捉人类的情感。

Views: 4

Related Artworks

Zwei Frauenakte, liegend und kniend (Die Freundinnen) Egon Schiele 1912
Self-Portrait with Physali Egon Schiele 1912
Reclining Nude Egon Schiele 1918
Weiblicher Akt Egon Schiele
Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
Landscape with raven Egon Schiele 1911
Portrait Of Wally Neuzil Egon Schiele 1912
Stehende halbnackte Torsi Egon Schiele 1913
Torso of a Seated Woman with Boots Egon Schiele 1918
Standing Nude, Facing Right Egon Schiele 1918
Supply Depot; Storeroom with Civilian Worker in Vienna, Schottenfeldgasse) Egon Schiele 1917
Cardinal and Nun (Caress) Egon Schiele 1912
The Windmill at Wijk bij Duurstede Jacob van Ruisdael c. 1668 - c. 1670
The Japanese Footbridge and the Water Lily Pool, Giverny Claude Monet 1899
The Magpie Claude Monet 1868 - 1869
Le bassin aux nymphéas Claude Monet circa 1917-1919
Alpine Architektur Pl. 3 Bruno Taut 1919
Susanna in the Bath (Susanna im Bade) Lovis Corinth 1914
The Barker (Self-Portrait), plate 1 from the portfolio ‘The Annual Fair’ Max Beckmann 1921
On Walchen Lake (Am Walchensee) Lovis Corinth 1923
Cotopaxi Frederic Edwin Church 1855
A Side Canyon, Grand Canyon of Arizona Thomas Moran 1915
View from Mount Pilatus John Singer Sargent 1870
Mountainous landscape (1860–70) 2 Frederic Edwin Church
Park motif from Talashkino Jan Ciągliński 1896
From Refsnæs Vilhelm Hammershøi
Mesnilval Jean Charles Cazin 1894
Eingang von Worpswede (Abend in Worpswede mit der alten Schmiede von Struß) Otto Modersohn 1940