박스어 강아지의 머리와 어깨, 왼쪽 프로필, 링 포스트에 연결된 가죽 목걸이 착용
박스어 강아지의 머리와 어깨, 왼쪽 프로필, 링 포스트에 연결된 가죽 목걸이 착용 by 헨리 토머스 알켄, Drawings, romanticism
Related Artworks
- ‘Topping a Park fence and doing the thing easy’ Henry Thomas Alken 1827
- Hunting Scene： Drawing the Cover Henry Thomas Alken ca. 1840
- Foxhunting; Full Cry Henry Thomas Alken
- Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork Henry Thomas Alken
- Foxhunting; The Leap Henry Thomas Alken
- Rider on a Brown Horse Going at a Wall Henry Thomas Alken
- The Death; The Fox Hoist to a Fence Henry Thomas Alken
- A Charging Mameluke Firing a Pistol Henry Thomas Alken ca. 1823
- ‘Mr. Jorrocks Takes a Ride at St. Cloud’ Henry Thomas Alken
- ‘Scraps’, no. 35： Mounted Mameluke with Bamboo Spear Henry Thomas Alken
- Sporting Notions： ‘My Notion is We Shall Get Him up Pretty Shortly What is Your Notion： I’ve Worked so Hard that I Hav’nt a Notion in Me’ Henry Thomas Alken between 1831 and 1832
- A Groom Leading a Bay Horse Henry Thomas Alken
- ‘Some Do and Some Don’t; It is All a Notion;’ Getting a Dive Henry Thomas Alken between 1848 and 1851
- Horse and Dog Henry Thomas Alken
- ‘Qualified Horses and Unqualified Riders;’ ‘Faceing a Brook Verifying the Old Adage, Look Before You Leap’ Henry Thomas Alken
- ‘Landscape Scenery’, No. 7： Scenes of Cricket and a Waggoner With His Team Henry Thomas Alken 1821
- Facing a Brook Henry Thomas Alken
- Drawing Covert Henry Thomas Alken
- Wounded Turkish Cavalryman in Danger of Failling From His Horse… Henry Thomas Alken
- Going Along a Slapping Pace Henry Thomas Alken
- Scenes from a Seeplechase： The Winner Henry Thomas Alken ca. 1845
- ‘Scraps’, No. 28： Skittle Alley With Players and Spectators Henry Thomas Alken 1823
- Symptoms： of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome Henry Thomas Alken between 1818 and 1822
- Throwing off dull melancholy… Henry Thomas Alken 1822
- Danseuse assise Edgar Degas
- Les Bêcheurs Jean-François Millet circa 1855-1856
- Mit verschränkten Händen sitzender Halbakt Gustav Klimt 1914-1915
- Standing Nude Gustav Klimt 1906-1907
- Landscape with Man Sleeping beneath Tree Annibale Carracci 1595
- The reveille on the line of battle Edwin Forbes 1861-1876
- Head of a Young Woman John Singer Sargent
- Erna und Gerda im Atelier Ernst Ludwig Kirchner 1912
- A young man and an elderly woman Felix Octavius Carr Darley
- Two Soldiers, Seated, One on a Stone, the Other on the Ground Salvator Rosa 1656 - 1657
- Woman with a Churn Jean-François Millet 1854
- Verkrüppelter Baumstamm auf Felsen bei Ariccia Ernst Fries 1824
- The Sea Monster Albrecht Dürer c. 1501
- Portrait of a lady Gustav Klimt 1916
- Two Figures by a River John Constable between 1807 and 1809
- Country village Thomas Rowlandson ca. 1780-1825
- The Great Blue Spring of the Lower Geyser Basin, Yellowstone Thomas Moran ca. 1875
- Album de voyage au Maroc Eugène Delacroix 1832
- The Return Thomas Cole 1837
- Ansicht von Unterseen Franz Niklaus König
- Vue d’Interlaken Franz Niklaus König
- The Mill, Sunset Thomas Cole
- Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
- Bust Portrait of Carle Vernet Horace Vernet 1817
- Study of the Artist’s Dog Olga Boznanska 1925
- Zank Gottfried Mind 1815
- Studies of Dogs Frans Snyders
- Study Of Two Dogs Rosa Bonheur
- Five dog studies Hans Thoma 1860 - 1920
- Armand Jean Brusselmans 1930
- Ceramic Coach Dog George Yanosko c. 1940
- A Good Friend Alfred De Dreux
- Militaire a cheval (Soldier on Horseback) Isidore Pils c. 1860
- Bomb with instantaneous lock anchored Robert Fulton 1806
- Richard Henry Lee Charles Willson Peale c. 1795-1805
- Daniel Webster George Peter Alexander Healy 1846
- John Adams Gilbert Stuart c. 1821
- Don Vicente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara Francisco de Goya