圣维克多山

Circa 1890

保罗·塞尚对普罗旺斯家乡附近的这座山痴迷至极，一生中绘制了60多次！在这里可以看到他标志性的"建构性笔触"技法，即通过小而分明的色块而非平滑的过渡来构建景观。这种独特的方法实际上为立体主义奠定了基础，影响了毕加索等巨匠，毕加索称塞尚为"我们所有人的父亲"。左侧高大倾斜的松树如同天然的幕帘，邀请我们窥视阳光普照的山谷以及远处巨大的岩石山峰。

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