聖維克多山

Circa 1890

保羅·塞尚對普羅旺斯家鄉附近的這座山癡迷至極，一生中繪製了60多次！在這裡可以看到他標誌性的「建構性筆觸」技法，即通過小而分明的色塊而非平滑的過渡來構建景觀。這種獨特的方法實際上為立體主義奠定了基礎，影響了畢卡索等巨匠，畢卡索稱塞尚為「我們所有人的父親」。左側高大傾斜的松樹如同天然的幕簾，邀請我們窺視陽光普照的山谷以及遠處巨大的岩石山峰。

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