Artwork Information
Il banchetto notturno di Han Xizai - Nucleo del dipinto 1 - Ascolto della musica
Gu Hongzhong
Immagina di essere assunto come spia artistica per dipingere un resoconto di una festa per l'Imperatore! Questa è la storia dietro questo capolavoro. L'imperatore Li Yu dei Tang Meridionali sospettava che il suo funzionario Han Xizai stesse tramando una ribellione, così inviò il pittore Gu Hongzhong a intrufolarsi alla festa e documentare la dissolutezza. In questa scena iniziale, Han Xizai (l'uomo barbuto con un alto cappello nero) siede in mezzo a un sontuoso raduno, osservando attentamente una donna suonare il pipa, riuscendo a presentarsi come un edonista innocuo per evitare responsabilità politiche. L'intero rotolo si svolge come una striscia a fumetti, rivelando lo svolgimento della festa attraverso musica, danza e riposo.
- Technique
- Ink and color on silk
- Material
- Silk
Location: Palace Museum, Beijing
Interpretation Content
The Night Banquet of Han Xizai was commissioned by the Southern Tang emperor Li Yu from the painter Gu Hongzhong. At that time, the Southern Tang was on the verge of collapse, and Li Yu suspected his powerful minister Han Xizai of harboring disloyal intentions. Thus, he sent Gu Hongzhong to infiltrate Han's residence, observe and memorize the scenes, and then paint this work for surveillance. The painting is divided into five sections. The "Listening to Music" section depicts Han Xizai and his guests intently listening to a pipa performance, with each figure's expression conveying different emotions, subtly concealing political metaphors.
This painting has passed through a thousand years of circulation. It was once collected in the imperial storehouse of the Southern Song, then by Zhao Mengfu of the Yuan dynasty, Yan Song of the Ming dynasty, and Liang Qingbiao of the Qing dynasty, before entering the Qing imperial palace. At the end of the Qing dynasty, Puyi took it out of the Forbidden City under the pretext of bestowing gifts, and it then fell into private hands. In 1945, it was acquired by the renowned painter Zhang Daqian, who cherished it as a treasure. In the 1950s, he transferred it to the Palace Museum in Beijing at a low price, where it became a prized collection.
The painting is now on display at the Zhejiang Museum from August 22 to September 20, 2026, marking one of the rare public appearances of this authentic artwork in recent years. As one of the top ten most famous paintings in Chinese history, it holds extraordinary artistic value and historical documentary significance. It is an excellent historical material for studying the society, clothing, music, and political ecology of the Five Dynasties and Ten Kingdoms period, specifically the Southern Tang.